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• Phillips, S (2010) Exposed: voyeurism, surveillance, and the camera. London: Tate Publishing.
• Phillips, T. (2000) The postcard century. London: Thames & Hudson.
• Phipps, S. (2016) Brutal London. Tewkesbury: September Publishing.
• Postma, F. (1995) 26, Rue du Départ. Hoboken, New Jersey: Ernst & Sohn.
• Purves, B.J.C. (2014) Stop-motion animation. (2nd edn.) London: Bloomsbury.

• Rababy, M. (2020) California Love - a visual mixtape. LA: Cali Editions.
• Raven, F. & Collett, G., (2017) Book design made simple. Vancouver: 12 Pines Press.
• Redstone, E. (2014) Shooting Space: Architecture in Contemporary Photography. London: Phaidon.
• Renton, A. (2001) Lost Sounds. Caithness: Whittles Publishing.
• Richin, F. (1999) In our own image. NY: Aperture.
• Richin, F. (2009) In our own image. NY: W.W. Norton & Co.
• Patrick Rössler (2019) Bauhaus mädels (Bauhaus Girls), A Tribute to Pioneering Women Artists:. Cologne: Taschen.

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• Salkeld, R. (2018) Reading Photographs. London: Bloomsbury.
• Sammon, R. (2009) Digital photography secrets. Indianapolis: Wiley.
• Scott, C. (1999) The spoken image. London: Reaktion Books.
• Scott, G. (2020) What does photography mean to you. Liverpool: Bluecoat Press.
• Scharf, A. (1965) Creative photography. NY: Reinhold.
• Scharf, A. (1968) Art and photography. Harmondsworth: Penguin.
• Sheppard, R. (2012) Landscape photography. Berkeley: Peachpit Press.
• Shipman, C. (1974) Understanding photography. Tucson, AZ: HP Books.
• Shore, R. (2014) Post-Photography: The Artist with a Camera. London: Laurence King
• Shore, R. (2017) Beg, Steal and Borrow: Artists Against Originality. London: Laurence King.
• Shore, S. (2007) The nature of photographs. 2nd ed. London: Phaidon Press.
• Shore, S. (2022) Modern Instances. London: MACK.
• Short, M., Leet, S-K & Kalpaxi, E (2020) Context and Narrative in photography. London: Bloomsbury.
• Sleep, D. (2004) Images of London, Eltham. Stroud: Tempus.
• Smith, C. S. (2021) The art museum in modern times. London: Thames & Hudson.
• Smith, J. (2011)The life and death of buildings. Princeton: PrincetonUniversity Art Museum.
• Sobieszek, R.A. & Irmas, D. (1994) the camera i. NY: Abrams.
• Solomon-Godeau, A. (1994) Photography at the dock. Minneapolis: University Of Minnesota Press.
• Sontag, S. (1973) On photography. NY: Farrar, Strauss & Giroux.
• Sontag, S. (1983) Barthes: selected writings. London: Fontana.
• Soutter, L. (2013) Why art photography? London: Routledge.
• Spence, J. (1995) Cultural sniping. London: Creative Routeledge.
• Spence, J. & Solomon, J. (1995) What can a woman do with a camera. London: Scarlet Press.
• Spence, R. (1994) Form & fantasy. Croydon: Creative Monochrome.
• Squiers, C. (1990) The critical image. Seattle: The Bay Press.
• Squiers, C. (1999) OverExposed: Essays on contemporary photography. NY: The New Press.
• Stepan, P. (2008) 50 Photographers you should know. Munich: Prestel.
• Stepan, P. (2016) Photos that changed the world. Munich: Prestel.
• Stiletto, J. (1992) Shots from the hip. London: Bloomsbury.
• Stimson, B. (2006) The pivot of the world. Cambridge, Mass.: MIT Press.
• Strauss, DL. (2003) Between the eyes. NY: Aperture.
• Strauss, DL. (2020) Photography and Belief. NY: David Zwimmer Books.
• Szarkowski, J. (1978) Mirrors and Windows. New York: MoMA.
• Szarkowski, J. (2007) The photographer's eye. Revised 3rd ed. New York: MoMA.

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• Tagg, J. (1988) The burden of represenation. Basingstoke: Macmillan.
• Tagg, J. (2009) The disciplinary frame. Minneapolis: U. Minnesota Press.
• Tait, J, (1977) Beyond Photography. London: Focal Press.
• Tate (2006) Making history: art and documentary in Britain from 1929 to now. London: Tate.
• Thomas, A. (year) The extended moment. Fifty years of collecting photographs at the National Gallery of Canada. Milan: 5 Continents Editions.
• Thompson, J.L. (2016) Why photography matters. Cambridge, MA: MIT Press
• Trachtenberg, A. (ed.) (1980) Classic essays on photography. New Haven, Conn.: Leete's Island Books.
• Traub, C.H., Heller, S. & Bell, A.B. (eds.) (2006) The Education of a photographer. New York: Allworth Press.
• Tress, A. (1967) Theater of the mind. NY: Morgan & Morgan.
• Triggs, T. (2012) Fanzines: the DIY revolution. San Francisco: Chrinicle Books.

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• Wallis, B. (1987) Blasted Allegories. Cambridge, MA: MIT Press.
• Ward, O. (essay) (2012) State of the Art Photography. Düsseldorf: Feymedia.
• Willoughby, M (1994) A history of postcards. London: Bracken Books.
• Williams, R (1988) Keywirds: a vocabulary of culture and society. London: Fontana Press.
• Williams, V. & Bright, S. (2007) How We Are: Photographing Britain. London: Tate Publishing
• Weil, S. (2015) Selfies. Translated by R. Schwarz, 2019. London: Les Fugitives.
• Weiss, M (2018) Making it up: photographic fictions. London: Thames & Hudson.
• Wells, L. (2003) The photography reader. Abingdon: Routledge.
• Wells, L. (2009) Photography: a critical introduction. (4th edn.). Abingdon: Routledge.
• Westerbeck, C. & Meyerowitx, J. (1994) Bystander, a history of street photography, 1st edn. London: Thames & Hudson.
• Wolf, S. (2019) Photo Work: forty photographers on process and practice. New York: Aperture Foundation
• Worobiec, T. & Spense, R. (1999) Beyond monochrome. Kingston-upon-Thames: Fountain Press.
• Yabsley, L. (2019) The photography ideas book. London: Ilex.
• Yager, J. (2019) How to self publish your book. NY: Square One.
• Yoon, T.H. (2019) Decoding dictatorial statues. Eindhoven: Onomatopee.
• Zuboff (2019) The age of surveillance capitalism. London: Profile Books.
• author (year) Title. Location: Publisher.

EyV References

OCA EyV pp.115-117

Azoulay, A. (2012) Civil Imagination: A Political Ontology of Photography. London: Verso
Batchen, G. (1997) Burning with Desire: The Conception of Photography. Cambridge, MA:
MIT Press.
Baudrillard, J. ([1968]1997)The System of Objects (trans. James Benedict). London & New
York: Verso
Bazin, A. (1948) in Thompson, K. & Bordwell, D. (2007) ‘Observations on film art’.
Available at: www.davidbordwell.net/blog/2007/10/10/do-filmmakers-deserve-the-
last-word/ [accessed 16/06/14]
Benjamin, W. ([1936]1999) Illuminations. London: Pimlico
Berger, J. (1972) Ways of Seeing. London: Penguin
Brassaï (1999) Conversations with Picasso. Chicago: University of Chicago Press
Brooks, R. (1981) ‘Sighs and Whispers’ in Cotton, C. & Verthime, S. (eds.) (2003) Guy
Bourdin. London: V&A Publications
Bromberg, A. & Chanarin, O. (2008) ‘Unconcerned but not Indifferent’. Available at:
www.paradiserow.com/usr/library/documents/main/33/unconcerned.pdf [accessed
16/06/14]
Bull, S. (2010) Photography. Abingdon: Routledge
Burgin, V. (1980) ‘Photography, Phantasy, Fiction’ in Screen, Vol. 21, No, 1, Spring 1980,
pp.43–80.
Burgin, V. (ed.) (1982) Thinking Photography. London: Palgrave Macmillan
Cartier-Bresson, H. (2004) The Mind’s Eye: Writings on Photography and Photographers.
New York: Aperture
Catling, B. (2012) The Vorrh. London: Honest Publishing
Cotton, C. & Verthime, S. (eds.) (2003) Guy Bourdin. London: V&A Publications
Dyer, G. (2012) The Ongoing Moment. Edinburgh: Canongate
Evans, H. ([1978]1997) Pictures on a Page (2nd revised edition). London: Pimlico
Flusser, V. (2000) Towards a Philosophy of Photography. London: Reaktion Books
Folgarit, L. (2008) Seeing Mexico Photographed. New Haven, CN: Yale University Press
Foster, H. et al. (2004) Art Since 1900: Modernism, Antimodernism, Postmodernism. London: Thames & Hudson
Groys, B. (2013) Art Power. Cambridge, MA: MIT Press
Grundberg, A. (1999) Crisis of the Real: Writings on Photography. Woking: Aperture
Heron, L. & Williams, V. (eds.) Illuminations: Women Writing on Photography from 1850s to the Present. London: IB Tauris
Jay, B. & Hurn, D. (2001) On Being a Photographer: A Practical Guide (3rd edition).
Washington: LensWork
Niépce, N. (1827) ‘Memoire on the Heliograph’ in Trachtenberg, A. (ed.) (1980) Classic
Essays on Photography. New Haven: Leete’s Island Books
Papageorge, T. ([1974] 2011) ‘The Snapshot’, in Core Curriculum: Writings on Photography.
New York: Aperture. Available at: www.scribd.com/doc/77729021/Core-Curriculum-by-
Tod-Papa-George [accessed 16/06/14]
Sekula, A. (1982) ‘On the Invention of Photographic Meaning’ in Bull, S. (2010)
Photography. Abingdon: Routledge
Sharabura, R. (1982) Shooting Your Way to a Million Dollars (revised edition). Chatsworth.
Solomon-Godeau, A. (1983) ‘The Armed Vision Disarmed: Radical Formalism from
Weapon to Style’ in Heron, L. & Williams, V. (eds.) Illuminations: Women Writing on
Photography from 1850s to the Present. London: IB Tauris
Szarkowski, J. (2007) The Photographer’s Eye. New York: MoMA
Thompson, K. & Bordwell, D. (2007) ‘Observations on film art’. Available at: www.
davidbordwell.net/blog/2007/10/10/do-filmmakers-deserve-the-last-word/ [accessed
16/06/14]
Trachtenberg, A. (ed.) (1980) Classic Essays on Photography. New Haven: Leete’s Island
Books
Wells, L. (ed.) (2009) Photography: A Critical Introduction (4th edition). Abingdon:
Routledge
Wenders. W. (1997) The Act of Seeing. London: Faber & Faber. Quoted in Bromberg, A.& Chanarin, O. (2008) ‘Unconcerned but not Indifferent’. Available at: www.paradiserow. com/usr/library/documents/main/33/unconcerned.pdf
Weston, E. (1930) ‘Photography – Not Pictorial’, Camera Craft, Vol. 37, No. 7, pp.313–20. Available at: www.jnevins.com/westonreading.htm [accessed 16/06/14]

Further reading

Batchen, G. (1997) Burning with Desire: The Conception of Photography. Cambridge, MA: MIT Press.
Langford, M. et al. (2010) Langford’s Basic Photography: The Guide for Serious Photographers (9th edition). Oxford: Focal Press
Wells, L. (ed.) (2009) Photography: A Critical Introduction (4th edition). Abingdon:
Routledge

C&N References

OCA C&N pp.138-9 (unnumbered)

Reference Material

Essential Reading

Berger, J. (1972) Ways of Seeing. London: Penguin Books.
Bull, S. (2009) Photography. Abingdon: Routledge.
Bright, S. (2011) Art Photography Now. London: Thames and Hudson.
Curana, N. & Fox, A. (2012) Behind the Image: Research in Photography. Lausanne: AVA.
Jeffrey, I. (1981) Photography: A Concise History. London: Thames & Hudson.
Langford, M. et al (2010) Langford's Basic Photography (9th ed.) Oxford: Focal Press.
Short, M. (2011) Creative Photography: Context and Narrative. Lausanne: AVA.
Szarkowski, J. (2007) The Photographer's Eye. New York: MOMA.

Recommended

Barthes, R. (1977) Image- Music- Te xt. London: Fontana Press.
Bate, D. (2009) Photography: The Key Concepts. London: Berg.
Campany, D. (ed.) (2003) Art and Photography. London: Phaidon Press.
La Grange, A. (2005) Basic Critical Theory for Photographers. Oxford: Focal Press.
Sontag, S. (1979) On Photography. London: Penguin.
Warner Marien, M. (2014) Photography: A Cultural History (4th ed.) London: Laurence King.
Wells, L. (2009) Photography: A Critical Introduction (4th ed.) Abingdon: Routledge.

Websites

1000 Words Photography -http://www.1000wordsmag.com/
7.7 - http://www.7dot7.net/ [dead link]
American Suburb X - https://americansuburbx.com/
Flak Photo - https://flak.photo/
The Guardian - https://www.theguardian.com/artanddesign/photography
International Center of Photography - https://www.icp.org/
La Lettre de la Photographie - http://www.lalettredelaphotographie.com [dead link]
Lens Culture - https://www.lensculture.com/
National Media Museum - https://www.scienceandmediamuseum.org.uk/
Photomonitor - https://www.photomonitor.co.uk/
Photoparley - https://photoparley.wordpress.com/
Tate Gallery resources - https://www.tate.org.uk/art
The Telegraph - https://www.telegraph.co.uk/culture/photography/
Victoria & Albert Museum - https://www.vam.ac.uk/collections/photographs

Journals

Aperture - https://aperture.org/
British Journal of Photography - https://www.bjp-online.com/
Foam - https://www.foam.org/home
Hotshoe International - http://hotshoemagazine.com/
Photoworks - https://photoworks.org.uk/
Source - https://www.source.ie/index.php

I&P References

and see I&P Books.

Barthes, R. (2009) Mythologies. London: Vintage Classics
Bellocq, E. J. (2009) Storyville Portraits. Milan: Abscondita
Berger, J. ([1972] 2008) Ways of Seeing. London: Penguin Modern Classics
Clarke, G. (1992) The Portrait in Photography. London: Reaktion Books
diCorcia, P. (2001) Heads. Zurich: Scalo
Durden, M. & Grant, K. (2013) Double Take: Portraits from The Keith Medley Archive. Liverpool: LJMU Archives
Evans, W. (2013) American Photographs (75th anniversary edition). London: Tate Publications
Giddens, A. (1991) Modernity and Self-Identity: Self and Society in the late Modern Age. Oxford: Polity Press
Hill, B. (1973) Julia Margaret Cameron: A Victorian Family Portrait. London: Peter Owen Publishers
Hirsch, M. (2012) Family Frames: Photography, Narrative and Postmemory. CreateSpace Independent Publishing
Hoppé, E.O. (1945) Hundred Thousand Exposures: The Success of a Photographer. London: Focal Press
Jay, B. (1994) Occam’s Razor: Outside-in Viewing Contemporary Photography. Paso Robles, CA: Nazraeli Press
Jenkins, K. (1991) Re-thinking History. London: Routledge
Kozloff, M. (2007) The Theatre of the Face: Portrait Photography Since 1900. London: Phaidon Press
Parr, M. (2004) Martin Parr. London: Phaidon Press
Penn, I. (2010) Portraits. London: National Portrait Gallery Publications
Russell, B. (2004) The History of Western Philosophy. London: Routledge
Shore, R. (2014) Post-Photography: The Artist with a Camera. London: Laurence King
Shore, S. (2014) Uncommon Places (2nd revised edition). London: Thames & Hudson
Szarkowski, J. (2002) William Eggleston’s Guide (2nd edition). New York: MOMA
Tagg, J. (1988) The Burden of Representation: Essays on Photographies and Histories. Minneapolis: University of Minnesota Press
Torczyner, H. (1979) Magritte: Ideas and Images. New York: Harry N. Abrams Inc.
Williams, V. & Bright, S. (2007) How We Are: Photographing Britain. London: Tate Publishing
Wood, T. (2005) Photie Man. Göttingen: Steidl

LPE References

Recommended Reading

and see LPE reading list.

✓ Andrews, M. (1999) Landscape and western art. Oxford: Oxford University Press.
Ordered 9Nov, WoB, £10.79.

✓ Barthes, R. et al. (2010) Camera lucida: reflections on photography. (1st paperback ed) New York: Hill and Wang.

✓ Campany, D. (ed.) (2012) Art and photography. (Abridged, revised and updated) London: Phaidon Press Limited.

✓ Fox, A. and Caruana, N. (2012) Behind the image: research in photography. Vol. 03. Lausanne, Switzerland: AVA Academia. At: https://ucreative.idm.oclc.org/login?url=http://lib.myilibrary.com?id=353149

✓ Clarke, G. (1997) The photograph. Oxford: Oxford University Press.

✓ Cotton, C. (2014) The photograph as contemporary art. (Third edition) London: Thames & Hudson.
The 4th edn. has just come out.

✓ Dimbleby, D. and Tate Britain (Gallery) (2005) A picture of Britain. London: Tate.
Ordered 9Nov, Amazon, £5.98.

✓ Jeffrey, I. and Boffin, T. (1981) Photography: a concise history. London: Thames and Hudson.

✘ Mitchell, W. J. T. (2002) Landscape and power. (2nd ed) London: University of Chicago Press.
On my Amazon watch list, £20 new or used

✓ Sontag, S. (2008) On photography. London: Penguin.

✓ Trachtenberg, A. (1980) Classic essays on photography. New Haven, Conn: Leete’s Island Books.

✓ Wells, L. (ed.) (2019) The photography reader. (Second edition) London: Routledge.
I have the 1st edn. 2003.

✓ Wells, L. (ed.) (2015) Photography: a critical introduction. (Fifth edition) London: Routledge, Taylor & Francis Group. At: https://ebookcentral-proquest-com.ucreative.idm.oclc.org/lib/ucreative-ebooks/detail.action?docID=1968918
I have the 4th edn. 2009

✘ Wells, L. and ProQuest (Firm) (2011) Land matters: landscape photography, culture and identity. London: I.B. Tauris. At: http://ebookcentral.proquest.com/lib/ucreative-ebooks/detail.action?docID=830122
On my Amazon watch list, but selling for silly prices. It's a good book and the extract needed for Part 1 is online.

Supplementary Reading

✘ Taylor, J. (1994) A dream of England: landscape, photography and the tourist’s imagination. Manchester: Manchester University Press.
£20 s/h.

✓ O’Doherty, B. and McEvilley, T. (1999) Inside the white cube: the ideology of the gallery space. (Expanded ed) Berkeley, Calif: University of California Press.

✘ Campany, D. (2007) The cinematic. London: Whitechapel.
Silly prices s/h.

✓ Farley, P. and Roberts, M. S. (2011) Edgelands: journeys into England’s true wilderness. London: Jonathan Cape.