The objective of this assignment is to provide you with an opportunity to explore the themes covered in Part Two with regard to the use of both studio and location for the creation of portraits.
This assignment is about taking what has worked from the above exercises and then trying to develop this further in terms of interchanging the use of portraits taken on location (street) with portraits taken inside (studio).
You need to develop a series of five final images to present to the viewer as a themed body of work. Pay close attention to the look and feel of each image and think of how they will work together as a series. The theme is up to you to choose; you could take a series of images of a single subject or a series of subjects in a themed environment. There is no right answer, so experiment.
Sitters carry on with a handicap in a chancy business, since they can only guess how they looked when the shutter was released. For portrait subjects to have been off the mark in their self-affirmation or for photographers inadvertently, or deliberately, to capture them unaware of it, was human on both their parts.
Kozloff, M. The Theatre of the Face: Portrait Photography Since 1900 (2007) London: Phaidon Press. Pg 8.
Reflection
Before you send your work to your tutor, check it against the assessment criteria listed in the introduction to this course guide and make sure that it meets all the criteria. Make your evaluation available to your tutor. Your tutor may take a while to get back to you. Carry on with the course while you are waiting, but please don’t attempt the next assignment until you’ve received your tutor’s feedback on this one.
Reworking your assignment
Following feedback from your tutor, you may wish to rework some of your assignment, especially if you plan to submit your work for formal assessment. If you do this, make sure you reflect on what you’ve done, and why, in your learning log.
I&P, p.71
[ spellchecked
✓✘]
†
Initial thoughts
[10Nov20 🥂] While wrapping up Asg.1, getting up steam on Part 2 and contemplating the book of the course, I need to start laying the groundwork for Asg.2.
England is currently in Lockdown-Lite(ish) for Covid-19's second surge, but the likely availability of a vaccine was announced yesterday. One idea that came up with Asg.1 if charity shops hadn't worked was vicars (etc.) and churches. I'll try that for Asg.2. I have a list of local churches and will draft a letter to their leaders, suggesting a few photographs, outside and in, which should approximate to the brief.
1 Hamilton Road, Sidcup, DA15 7HB
Father John Diver johndiver@rcaos.org.uk
30Nov
Dear Rev [name]
I am a mature student studying for a photography degree and the course is currently concentrating on portraits.
Finding subjects is proving difficult. For a recent assignment I photographed volunteers in Eltham's charity shops, now closed, of course and a couple of examples are attached.
I would like to photograph a series of local church leaders and wonder whether you would be prepared to participate. I understand that under the current restrictions services are not allowed, but individual access is permitted (https://www.gov.uk/guidance/new-national-restrictions-from-5-november).
If possible, I would like to take a few photographs, inside and/or outside your place of worship, and if you wear any specific clothing for services, then maybe include that, but I will happily accept whatever is possible.
Please let me know if you would like to be part of the project and, if so, when it would be convenient to meet you there. Avoiding Tuesdays and Thursdays is best for me, as we childmind my grandson on those days.
Yours sincerely,
Nick Blackburn
attachments:
1. June, Frances and Rachal, Demelza, 16th October
2. Susie, Red Cross, 17th October
[15Nov] The research is as complete as I can make it. There are some posts vacant and some do not have specific individuals or local web sites, others do not have an email address, just a contact box on their web site. I will contact 5 or 6 and see how that goes and if that fails, reconsider my approach. My initial batch (chosen mostly because they are easy to get to) is:
[24Nov] I thought both my appointments were on Wednesday 25th, but Ian Gow of the URC had requested Monday 21st. Fortunately, he wrote on the Sunday to confirm the arrangements. I attended on the correct day. having replied,
Hi Ian
The assignments this year are all about styles of portrait so, ideally I would like you to wear whatever you do when conducting a service. For the background, I would like an exterior shot showing the architecture of the church and if it is possible to get inside, a background of any key architectural or decorative features.
Thank you again for your co-operation in this. I look forward to seeing you tomorrow at 3.
Regards, Nick
email to Rev. Gow, 22nd Nov
Ian was a nice chap and as helpful and co-operative as one might wish. I took the Fuji X100S, hoping that I could continue to just use that for assignments. I have been reading up on using the internal flash in Mullins (2014) and Phillips (2014). On using the built-in flash, Mullins (p.164) says that the Slow Sync option 'tries to capture both the ambient light in the background and the subject' but might use very slow shutter speeds. That sounded useful, though the results were not always as sharp as I might have liked. I made 20 images (contact sheets), concentrating on the small stained glass window, the pulpit, the alter and the front door which boasts a rather attractive tree.
A problem with the X100S is that it will not AF on faces and so when I had a trial run with Mrs B., kept loosing focus when I reframed. I switched to manual focus but I'm not sure I always got it right - this combined with the lower shutter speeds resulted in a disappointing loss of sharpness.
I am processing the images in 3x2 format initially to make some prints for Ian, then reverting to 6x7 for submission.
Box A
23rd November
Rev. Ian Gow, URC
3x2 format images
Box B
23rd November
Rev. Ian Gow, URC
6x7 format images
[25Nov] Given the limitations found with the X100S, I decided to take the XT-2 instead. Especially in the context of distancing regulations, a zoom lens makes a great deal more sense at the moment and sticking with the fixed 35mm equivalent lens is a pointless and absurd hair-shirt approach. It was a good decision and this run of pictures was more successful. Although Anglican, Holy Trinity is at the Catholic end of the spectrum and has Stations of the Cross, a new set recently commissioned and installed. Father Ward has agreed that I can return and photograph them †.
I think I will probably upgrade the XT-2 rather than the X100S.
Both subjects agreed that I can use the images in follow-ups to my initial requests and in new requests to establish my bona fides.
Box C
25th November
Fr. Brett Ward, Holy Trinity
3x2 format images
Box D
25th November
Fr. Brett Ward, Holy Trinity
6x7 format images
text
† I might have a new project, photographing sets of Stations. I have not found any books on the subject (the subcategory equivalent of Betjeman’s Best British Churches (2011) or Jenkin's England's Thousand Best Churches (1999)), but I only started looking this afternoon. There must be lists and any priests in churches which have them will have an interest and local knowledge.
Dear Rev. [name]
I emailed a while ago, as attached, asking whether I could take some photographs of you and your church but did not receive a reply. I have had two volunteers so far, Fr. Brett Ward of Holy Trinity and Rev. Ian Gow of the URC. I attach a few examples of the results, having been given their permission to do so.
If you do not want to take part, please let me know and I'll cross you off my list. If you might be interested and would like further details of the project, please reply with any questions.
Regards, Nick Blackburn, Eltham
Box E
Examples sent 30th November
I do not have an email for St. Luke's, there's a contact box on their web site and the Captcha box on that page was not working when I tried it today (30Nov), here's the draft.
Dear Rev. Oglesby-Elong
I emailed a while ago, as below, asking whether I could take some photographs of you and your church but did not receive a reply. I have had two volunteers so far, Fr. Brett Ward of Holy Trinity and Rev. Ian Gow of the URC.
If you do not want to take part, please let me know and I'll cross you off my list. If you might be interested and would like further details of the project, please reply with any questions.
Regards, Nick Blackburn, Eltham
Previous email
Dear Rev. Oglesby-Elong
I am a mature student studying for a photography degree and the course is currently concentrating on portraits.
Finding subjects is proving difficult. For a recent assignment I photographed volunteers in Eltham's charity shops, now closed, of course and a couple of examples are attached.
I would like to photograph a series of local church leaders and wonder whether you would be prepared to participate. I understand that under the current restrictions services are not allowed, but individual access is permitted (https://www.gov.uk/guidance/new-national-restrictions-from-5-november).
If possible, I would like to take a few photographs, inside and/or outside your place of worship, and if you wear any specific clothing for services, then maybe include that, but I will happily accept whatever is possible.
Please let me know if you would like to be part of the project and, if so, when it would be convenient to meet you there. Avoiding Tuesdays and Thursdays is best for me, as we childmind my grandson on those days.
Dear Novar,
I am a mature student studying for a photography degree and the course is currently concentrating on portraits.
Finding subjects is proving difficult at this time because of Covid restrictions. For my previous assignment I photographed volunteers in Eltham's charity shops, currently all closed, of course.
I am now trying to photograph a series of local church leaders at their places of worship and wonder whether you would be prepared to participate. There is no particular leader named on your web site and I am not sure how the Fellowship is organised, but I would be happy to photograph any church members who would like to represent Novar in this way.
I have had two volunteers so far, Fr. Brett Ward of Holy Trinity and Rev. Ian Gow of the URC. I attach a few examples of the results, having been given their permission to do so.
Please let me know if you would like to be part of the project and, if so, when it would be convenient for me to attend. If, on the other hand, you do not wish to, please reply so that I can take you off my list of
possible subjects.
Yours sincerely,
Nick Blackburn, Eltham
Dear [title] [name]
I am a mature student studying for a photography degree and the course is currently concentrating on portraits.
Finding subjects is proving difficult at this time because of Covid restrictions. For my previous assignment I photographed volunteers in Eltham's charity shops, currently all closed, of course.
I am now trying to photograph a series of local church leaders at their places of worship and wonder whether you would be willing to participate. If possible, I would like to take a few photographs, inside and/or outside your church, and if you wear any specific clothing for services, then maybe include that, but I will happily accept whatever is possible.
I have had two volunteers so far, Fr. Brett Ward of Holy Trinity and Rev. Ian Gow of the URC. I attach a few examples of the results, having been given their permission to do so.
Please let me know if you would like to be part of the project and, if so, when it would be convenient for me to meet you there. Avoiding Tuesdays and Thursdays is best for me, as we childmind my grandson on those days.
If, on the other hand, you do not wish to, please reply so that I can take you off my list of possible subjects.
Yours sincerely,
Nick Blackburn, Eltham
That's all the local churches for which I have a name or an email, plus one just up the road in Sidcup that might have Stations of the Cross.
[2Dec] We are quorate with a 5th positive reply from Revd Ian Welch,
Rector, Mottingham St Andrew with St Alban.
Hi Ian
Thank you for replying. You are my fifth positive responder which means that I should have enough to complete the terms of the assignment, but I hope to get more: only one refusal so far.
The two I have completed, images from which I sent you, opened their buildings for photography; one has said 'wait 'til after Christmas'; and I am attending a service this Sunday to take my third set.
I am happy to photograph you on whatever basis is convenient for you, so please let me know your preference and we can set a time and date.
Regards, Nick
[7Dec] I was a little nervous about this appointment but it went well. It is always good to learn and so let's state:
1. photographing in services produces more interesting images.
2. use manual focus for a sermon.
3. 1/7th secs gives a pleasant motion blur of hands.
4. exposure will probably need tweaking for the large expanses of sunlit blank wall.
It was easy to become distracted by the Hans Fiebusch mural or the Stations of the Cross designed by a former church member and created by her widower and I hope to return to photograph both more successfully in due course.
Box F
6th December
Rev. Steve Cook, St Barnabus
1.St Barnabus
2-7. Rev. Steve Cook
8. Rev. Steve Cook and Mrs. Cook
9-10. Fiebusch mural
11-14. Stations of the Cross
15. notes
I particularly like the motion-blurred hands in fig. F5.
13th December without Rev. Ian Welch at St. Albans
[13Dec] St Alban's is paired with St. Andrew's - today I went to a deserted St. Albans while Rev. Welch and the congregation went to St. Andrew's on the other side of the Coldharbour Estate. I'll try again next week.
But in the meantime, let us examine the magic of Photoshop's context-aware fill facility which disappeared the bollards and bin - click fig. G1. I used to spend hours trying to achieve this with as PS paintbrush.
[8Jan21] The project is stuck and without a prospect of unsticking in its present form under the current Covid lockdown rules (Tier 4 in London). And so it is time for a change of plan. This has been forming in my mind for a while and coalesced with yesterday's antics at Capitol Hill, Washington which many of the papers headlined 'Anarchy in the USA' as shown in fig. H1 (see credits below),
As was discussed during C&N under Late Photography (Blackburn, 2019), David Campany, in his essay Safety in numbness (2003), noted that as far back as the 1970s, most still images for news reporting were taken from video sources and there was a widespread example of that in newspapers for 7th January. Given that many churches are broadcasting services to their congregations, I can pick up the project from these feeds, just like the newspapers. There is a self-imposed fundamental ground rule that I can only do this with subjects I have already contacted.
I will reconfigure my presentation of the project as a consideration of portraiture under the various degrees of constraint that have applied with additional discussion of the matter of authorship. My feeling on the latter is that given I have been photographing the clergy while they conduct their services and that limits me to a single viewpoint, namely a specific pew (albeit I have some choice in the matter) the only major difference between producing a photograph directly on the camera and by intercepting the video feed is that the latter offers the faciity of replay.
I will investigate the available options and proceed.
† 7th January 2021 front pages of the Scottish editions of the i, the Metro, the Times, the Daily Telegraph, The Scotsman, The Courier, The Press and Journal, the Daily Express, the Daily Star. Images from BBC News.
[24Jan] The plan worked for Ian Welch. The quality of his camera and lighting for the online service was surprisingly poor (my experience of Zoom meetings has been restricted to the OCA IP group and the London Chapter of the Institute of Money Advice), but it is what it is: that is reality..
I am sick and tired of photo essays entitled Life under Covid / Lockdown and endless variations on that theme but given the circumstances, I will have to mention it.
Box I
Revd. Liz Oglesby-Elong
April 2016
Perhaps something like The Clergy of Eltham: three phases of exclusion and explore the portraiture, the enforced limitations, correspondence, response rates, technology, authorship, appropriation, deadlines and maybe the OCA's lack of enterprise. But drop the last part.
Here is Rev. Welch and his church, next week it's St Luke's, Eltham Park and Revd. Liz Oglesby-Elong who married my son (cue old joke) in 2016 (fig. I1).
BBC News (2021) Scotland's papers: 'Anarchy in the USA' and over-80s vaccine delay [online]. bbc.co.uk. Available from https://www.bbc.co.uk/news/uk-scotland-55570573 [Accessed 8 January 2021].
Betjeman, J. & Surman, S. (2011) Betjeman’s Best British Churches. Glasgow: Collins.
Boothroyd, S. and Roberts, K. (2019) Identity and place . Barnsley: Open College of the Arts. [I&P]
Campany, D. (2003) Safety in numbness: Some remarks on the problems of “Late Photography” [online]. davidcampany.com. Available from: https://davidcampany.com/safety-in-numbness/ [Accessed 19 December 2019]